randian | 燃点

Taikang Space will present “Genders Engender”, a major exhibition of the year, accompanied by forums, workshops and publications altogether. >> Read more

Feng Bingyi’s creation is constructing a world that belongs to herself with her great courage. >> Read more

A painted rock bleeds as living flesh across sheets of paper. A quivering line gives form to the nuances of meditative experience. The veiled light of an icon radiates through the near-instantaneous marks by a pilgrim’s hand. The group exhibition Luminous Shadows explores spirituality and transcendence in the sensory engagement with the material world. >> Read more

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution. >> Read more

Platform China Contemporary Art Institute is honored to announce the group exhibition Jungle III – Common. The exhibition will be on view from 5th November to 17th December, 2017. “Jungle” Project till now has spanned 8 years to this day. In 2010, Platform China launched the 1st Jungle Exhibition, aimed to explore the circumstance of […] >> Read more

This letter is penned after PRACTICE has been around for two years, >> Read more

Wu Ke (b.1969), an established painter from China will present his unconventional creations of traditional Chinese landscape paintings to a British audience for the first time, at his forthcoming solo exhibition Another Shan Shui at Cookhouse Gallery Chelsea College of Arts this September (21st-26th). >> Read more

The group exhibition “You won’t be young forever” curated by Biljana Ciric last November during the Shanghai Biennale did not yield any surprises. She has always insisted on institutional critique as her modus operandi, and now a new batch of artists who haven't yet entered the mainstream has appeared. >> Read more

Sometime in 1912, Braque, the Cubist pioneer, walked into a wallpaper shop. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more