randian | 燃点

How was it for you? Here is randian 燃点's review of the Year of the Dragon, in brief. >> Read more

A Potent Force brings together the work of two strongly individual Chinese artists, Duan Jianyu and Hu Xiaoyuan, both of whom happen to be female. >> Read more

Karen Smith: The first question relates to when we initially met. You were in the process of preparing a work for the Third Shenzhen Annual Sculpture Exhibition. It was of a form that was tied to the nature of the moment, especially in its content which reflected the zeitgeist. How did you conceive of the work? >> Read more

“The Important Thing is Not the Meat” must be one of the most keenly anticipated Chinese shows of 2012. It is a grand exhibition not only by virtue of looking back over the career of Gu Dexin — very arguably China’s greatest conceptual artist thus far — but also because Gu himself has, to all accounts, quit art... >> Read more

A round-up of the highlights from Caochangdi Photospring 2012, as chosen by Gu Ling and Iona Whittaker >> Read more

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more