randian | 燃点

Where are these strange dark lands in Lu Song’s paintings? Who are the lonesome individuals wandering through the symbolic scenery?
 
 
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We are proud to present Wang Min’s first solo exhibition in Hong Kong at AO Vertical Art Space. 'Imaging the Mysterious' — Lao Tze Verse 25 from Dao De Ching >> Read more

What are landscapes? To modern folks, they are little more than the temporary backdrop for a narcissistic or posturing holiday snap. Landscapes have long since been pushed to the fringes of urban life... >> Read more

James Cohan Gallery Shanghai is pleased to present an exhibition of paintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and Shi Zhiying. >> Read more

Like Cubism, Pop Art relied on two great talents who defined the movement for everyone else, contemporaries and followers alike. Roy Lichtenstein played Braque to Andy Warhol’s Picasso. Of the two, Lichtenstein was the quieter, more studious, and more conservative... >> Read more

Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> Read more

William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> Read more

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> Read more

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more