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2017.01.07 Sat, by

ZHU JINSHI
dual-space solo exhibition:
“Presence of Whiteness”
Pearl Lam Galleries
Singapore

Singapore—Pearl Lam Galleries is pleased to present Presence of Whiteness by Zhu Jinshi, its first dual-space solo exhibition since the opening of the new gallery in Dempsey Hill. Following his recent solo at Pearl Lam Galleries Hong Kong, which featured a series of black and white paintings, Zhu Jinshi will present over 20 coloured paintings […] >> Read more
2016.12.20 Tue, by

KANCHANA GUPTA
“Traces and Residues”
Richard Koh Fine Art
Singapore

Traces and Residues features recent works by Gupta consisting of skins of oil paint burnt and peeled off the canvas surface. >> Read more
2016.12.20 Tue, by

STPI presents major exhibition by Amanda Heng and participates in Art Stage Singapore in January 2017

Cultural Medallion recipient Amanda Heng kicks off STPI's 15th year exhibition calendar and Singapore Art Week 2017. >> Read more
2016.11.22 Tue, by

SU XIAOBAI
“Luminescence”
Pearl Lam Galleries
Singapore

Singapore—Pearl Lam Galleries is pleased to present a solo exhibition of Chinese born artist Su Xiaobai (b. 1949, Wuhan, China). Su’s highly contemporary artworks combine the vocabulary of an international artistic style, cultivated during his studies in Germany, with an aesthetic and philosophical practice rooted in Chinese tradition. Self-restraint is at the core of Su […] >> Read more
2016.11.15 Tue, by

Pearl Lam Galleries(Dempsey Hill)Singapore

Founded by Pearl Lam, Pearl Lam Galleries is a driving force within Asia's contemporary art scene. >> Read more
2016.11.09 Wed, by

Singapore artist Anthony Chin solo exhibition: Western Pacific

Mo Shang Experiment is proud to announce, in conjunction with Xiao Qi Zu, on 12th November 2016, we will be jointly introducing Singapore artist Anthony Chin's first solo exhibition . >> Read more
2016.10.26 Wed, by

ALEX SETON
“Pygmalion”
Sullivan+Strumpf
Singapore

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more
2016.10.25 Tue, by

ZHUANG WUBIN
“Small-Town Stories”
Yeo Workshop
Singapore

Yeo Workshop is proud to present the photography and research of Zhuang Wubin's 小城故事 | Small-Town Stories. This is the first time the artist's work will be presented in a gallery setting, featuring not only limited editions of his prints, but also his field notes, as well as a box of collected photographs and artefacts affectionately referred to as a 'portable museum' that viewers can browse. >> Read more
2016.10.03 Mon, by

National Gallery Singapore unveils “Artist and Empire: (En)countering Colonial Legacies” in first-ever collaboration with Tate

Art and history come alive as National Gallery Singapore unveils its much-anticipated "Artist and Empire" exhibition at the Singtel Special Exhibition Gallery. >> Read more

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