randian | 燃点

This spring Ben Brown Fine Arts presents Slumber Song, the first solo exhibition in the UK of contemporary Chinese photographer Chen Wei. >> Read more

To better meet citizens’ demands, the Museum Plan was approved in 1978 with the location of the Yuan Shan Second Municipal Park on Zhong Shan N. Road, Section 3, as its tentative base. The project was completed in January 1983 and was followed by the Museum’s official inauguration on December 24, which led the embarkation on its mission of serving the citizenry. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

Art Stage art fair opened Wednesday and first impressions are good. The presentation is airy and sleek—definitely on a par with ArtBasel Hong Kong—and with some 130 exhibitors, there is certainly variety, perhaps sometimes too much. >> Read more

He taps into a common sense of isolation which surpasses the boundaries of nations, culture, language, and ethnicity. The artist creates a window into the current state of Chinese society, and in some ways even affirms many Western preconceptions about China. >> Read more

Celebrating its 20th anniversary this year, the Art Taipei 2013 opened its doors to the largest contingent of galleries from Hong Kong and the Mainland ever. Many locals therefore more or less came with the expectation... >> Read more

eijing Commune is proud to announce the opening of artist Qiu Xiaofei’s exhibition Rauschenberg Said, “The Walking Stick Is Longer than the Maulstick, After All.” >> Read more

“Influence” is an ambiguous and flexible term, often invoked but seldom questioned. Here, Iona Whittaker examines the recent exhibition of works by Marcel Duchamp and selected Chinese artists at UCCA, and wonders what Duchamp might have thought. >> Read more

Why i <3 Cheng Ran''s "Tide Conversations" >> Read more