randian | 燃点

Axel Vervoordt Gallery is relocating to an expanded two-level space in Wong Chuk Hang, the dynamic artistic hub on the south part of Hong Kong Island.

This year Chronus Art Center (CAC) opens its Lab for the new 3-month Research and Creation Fellowship. This program is designed to host one international artist and researcher of extraordinary talents in the area of new media art in order to conduct research and creation at Chronus Art Center (CAC), Shanghai. The 2019 Spring Research and Creation Fellowship aims to foster global exchange while advancing the discourse and practice of new media art, and contribute to CAC’s research and educational mission as well as the institution’s future collection.

The inaugural “Booked: Tai Kwun Contemporary’s Hong Kong Art Book Fair” will take place on 11-13 January 2019. The art book fair will be hosted within Tai Kwun’s museum-standard galleries, designed by Herzog & de Meuron, situated within the restored Central Police Station compound in the heart of Hong Kong’s Central district. As a landmark revitalisation project, Tai Kwun – Centre for Heritage and Arts, has welcomed over one million visitors since opening in May 2018.

Edouard Malingue Gallery is delighted to share Su-Mei Tse’s first solo exhibition in China, ‘Nested’ at Yuz Museum Shanghai curated by Christophe Gallois, Mudam Luxembourg and Wen Shi, Yuz Museum Shanghai.

S.E.A. Focus, a new platform to raise attention on Southeast Asian modern and contemporary art,
today revealed the list of galleries and artists partaking in its inaugural edition (23 – 27 January
2019).

Chambers Fine Art is pleased to announce the opening on November 17, 2018 of Wang Gongyi: Winsor Blue. This will be the artist’s first solo exhibition in New York.

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space – in the real and through the virtual – by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity.

The 2018 Art Symposium presented by the Hong Kong Art Gallery Association (HKAGA) and Asia Society Hong Kong Center will be held on Friday 16th to Saturday 17th November. The theme of the Symposium is “Looking Up: Remapping Hong Kong’s Art Scene in the Era of New Connectivity and Ruptures”. The Art Symposium has become one of the major events in the Hong Kong and international art calendars.