SOCIAL FACTORY: The 10th SHANGHAI BIENNALE
In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more
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LIANG Shaoji: Back to Origin
ShanghART is so pleased to present LIANG Shaoji’s solo exhibition in ShanghART main space& H-Space from Sept 27th to Oct 26st, 2014. >> Read more
Shanghai’s Power Station of Art Announces Winners of the “Emerging Curators Program”
The PSA's academic committee commenced their final assessment for PSA’s Emerging Curators Program. 21 proposals made it into the final round of deliberation, and committee members voted for the top three proposals. >> Read more
The (Continuing) Story of Ai—From Tragedy to Farce
In recent weeks Ai Weiwei has become embroiled, yet again, in apparent controversy. Paul Gladston comments.
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Fusion·Convergence – T Museum
Fusion·Convergence, curated by Mr. Shen Qibin, consists of six thematic parts: Chinese Context, Life Noumenon, Daily Poetry, Cultural Reflection, Social Critique, School Force.
The T Museum for Contemporary Art cordially invites you to the Opening Exhibition >> Read more
Red Brick Museum’s “Tales from the Taiping Era”
The rather (post-)modern looks of a museum made sheerly from red bricks and a garden made up only of slate-gray bricks summon up almost a surreal dream—but real it is! >> Read more
Baby Basel and HK Island Dreams
While the minimum and average quality of art displayed was noticeably higher than last year (better galleries, minimal kitsch) the art displayed was generally conservative—innovation was seldom seen... >> Read more
Tales from the Taiping Era
The Redbrick Museum in Beijing opens with a group show entitled "Tales from the Taiping Era." >> Read more
Three Shadows First Experimental Image Open
As the title suggests, open exhibition refers to an indefinite theme, freedom to choose mediums for image, and no curators; artists participate freely for impromptu autonomous creation and presentation within a specified time and space, to highlight the non-mainstream and uncertainty. >> Read more
Painting Does Not Need to be Defended
A more fundamental question is that any “decline” of painting in China is any more than a moment’s fancy, when in actual fact, painting is actually gaining strength and flourishing in the market. Moreover, art in a frame is still the format which most easily resonates with the wider public audience for art in China... >> Read more
