randian | 燃点

Delicately transposed, it is the displaced materiality in Eric Baudart’s works that spurs their contemporary resonance. >> Read more

Step into a packrat’s lair, and you see wall-to-wall clutter choking up the space. Hoarding can be such a compulsive psychological disorder that it debilitates a person’s social functioning and sense of reality. >> Read more

David Zwirner is pleased to present Al Taylor: Early Paintings, the artist's sixth solo exhibition with the gallery. >> Read more

In a new and unusual approach to color in the work of abstract painter Josef Albers, David Zwirner's first London exhibition devoted to Albers focuses on one color that held a pervasive place in the artist's oeuvre. >> Read more

As one of Japan's leading contemporary artists, Tatsuo Miyajima's three principles of “keep changing, connect with everything, and continue forever”—precedes any survey presentation of his art. >> Read more

The expression tous les coups sont permis (“no holds barred”) is as true of Gregor Hildebrandt’s Berlin studio as that other old adage about everything in love and war. >> Read more

Apart from a complex concept created by the human imagination in relation to landscapes, appreciating Liang Ban’s works does not foster a sense of repression and perplexity that often comes with viewing contemporary art. >> Read more

I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more

“Painting without painting, creating without creating, this is what I want.” Axel Vervoordt Gallery Antwerp is pleased to present its solo exhibition of Chung Chang-Sup (Cheongju, 1927 – Seoul, 2011), a prominent member of the Korean art movement Dansaekhwa*. After two decades of studying and practicing Western abstract art, more particularly Art Informel, Chung Chang-Sup […] >> Read more

This edition of the triennial showcases the expanded field of not only fiber art, but more importantly the international reach of contemporary art in Hangzhou, which seems to be still basking in the afterglow of global G20 summit. >> Read more