Ni Jun: An Inconvenient Case
PIFO Gallery
>> Read more
The Variable and The Generating
MadeIn Gallery
>>Read more
Garth Weiser
Simon Lee Gallery, Hong Kong
>> Read more
2018 Art Taipei
>> Read more
Light, Dark, Other: Mit Jai Inn solo Exhibition
>> Read more
Extending Space – 2018 Dongguan sculpture and Installation Art Festival
>> Read more
Ariel Hassan
TRAGEDY OF EQUALITY / ACT 1:
—HEAD SHAVING BATTLE, Tokyo!
>> Read more
Welcome to Geumhyung Jeong’s ‘Spa & Beauty Berlin’
>> Read more
A ritual as a sort of psychospiritual stabilizer, an internalized metronome for life in transcendence, is transformative in its very transitive transitoriness. In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together.
The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress.
In the small alleyway of Hi Lung Lane in Yau Ma Tei, Kowloon, such iconography gains unexpected meaning cast in the bright LED awning hanging over a currency exchange shop… Paradoxically, as we’ve witnessed more and more recently—despite talk of walls, borders, and ongoing trade wars—we get nowhere unless things keep moving.
