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2018.01.29 Mon, by

OIL PAINTING BIENNALE CHINA ACADEMY OF ART

Sorry, this entry is only available in 中文. >> Read more
2017.08.07 Mon, by

Suzan Frecon: “water colors and small oil paintings”

David Zwirner is pleased to present recent paintings and works on paper by Suzan Frecon in concurrent exhibitions in New York and London, marking the artist’s first show in London and her fourth overall solo presentation with the gallery. >> Read more
2017.08.07 Mon, by

Suzan Frecon: “recent oil paintings”

David Zwirner is pleased to present recent paintings and works on paper by Suzan Frecon in concurrent exhibitions in New York and London, marking the artist’s first show in London and her fourth overall solo presentation with the gallery. >> Read more
2015.06.25 Thu, by
2013.07.04 Thu, by

Fantasy is not a Dream

From the paintings Hu Shunxiang has produced within four years of study in university, her uniqueness of painting feelings can be told. Such self training originated from her nature lay the foundation of her series creation later. Among which the uncommonness towards creation deserves more focus. >> Read more
2013.04.09 Tue, by

Experiencing Simplicity – Realistic Paintings from Long Collection

“Experiencing Simplicity — Realistic Paintings from Long Collection” is a brand-new exhibition after Long Museum’s opening debut based on Long Museum’s abundant collection of Chinese realistic paintings. >> Read more
2022.05.04 Wed, by

Undetermined Tune: Li Lei Art Exhibition

Undetermined Tune: Li Lei Art Exhibition >> Read more
2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

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