It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more
Stepping into the exhibition, what I first noticed were two Chinese characters about a person’s height, printed in red, jumping out from the white background of the gallery. These characters provide the most distinctive visual cues in Zeng Hong’s solo exhibition “Quaderni Rossi”. >> Read more
Over the course of six decades, Piper has tirelessly denaturalized cultural norms of visibility and communication, subjecting them to a trenchant, and potentially transformative, critique. >> Read more
Why Felix Gonzalez-Torres, and why now? What are the nuanced relationships to identity and aesthetics we could distill from his oeuvre that might help us contribute to social change? >> Read more
Step into a packrat’s lair, and you see wall-to-wall clutter choking up the space. Hoarding can be such a compulsive psychological disorder that it debilitates a person’s social functioning and sense of reality. >> Read more
People crowd the raft of empty Coke cans and Pepsi bottles. Tourists, clubbers, musicians, students, sun bathers. Protestors are matched with actors, mendicants with diners, a photographer and his model with a mugger and his victim. The flag is red, the sky is grey, but unlike Delacroix’s "original", there is no ship on the horizon, blind or otherwise. >> Read more
Richard Koh Fine Art (RKFA) is pleased to present Under the Horizon by Lao Tongli at Richard Koh Fine Art, 229 Jalan Maarof, Bukit Bandaraya, Bangsar, 59100 Kuala Lumpur, Malaysia from 10 – 24 December 2016. Under the Horizon is Lao Tongli’s first solo exhibition with the gallery and in Malaysia. The opening reception will […] >> Read more
In the new body of paintings by Mairead O’hEocha, Blackbirds in the Garden of Prisms2, or as Wallace Stevens determined, suggesting a contribution to something greater than its singular self >> Read more