randian

2017.01.13 Fri, by

Times Heterotopia Trilogy III – The Man Who Never Threw Anything Away -Guangdong Times Museum

The Man Who Never Threw Anything Away borrows its title from an installation of the same name in Ilya Kabakov’s Ten Characters (1988). >> Read more

2014.12.02 Tue, by

another trilogy – Zane Mellupe solo exhibition – ifa gallery

ifa gallery welcomes the Belgium premiere of Zane Mellupe, unveiling an exhibition presented as a trilogy. >> Read more

2012.10.29 Mon, by

Ecce Homo Trilogy 1

Ecce Homo. “Behold the man,” Pontius Pilate said to the public when he crucified Jesus Christ. The same phrase was taken by Friedrich Nietzsche for his autobiography, which he finished in the last years of his ontological pursuit. Again, Tsang Kin-Wah borrows the same words to title his latest show at Pearl Lam Gallery Hong Kong.... >> Read more

2011.05.05 Thu, by

Review of Liu Wei’s “Trilogy” — Part II

Minsheng Art Museum, Shanghai. March 20 to May 3, 2011 Liu Wei’s ‘Trilogy’ at Minsheng Art Museum, Shanghai Part II — Read Part I of this review here The Gothic flying buttresses seem to have developed, at least partly, out of two series of work: Liu Wei’s composition of recycled windows and doors, “The Outcast,” (2007; also previously shown […] >> Read more

Interviews, 2022.01.28 Fri, by

Animal Mineral Vegetable: Angela Bulloch’s Architectural Gestures

Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> Read more

Interviews, 2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Interviews, 2018.10.31 Wed, by

Samson Young
“The highway is like a lion’s mouth”
Edouard Malingue Gallery (Shanghai)

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. >> Read more

Interviews, 2018.03.17 Sat, by

Walking On The Fade Out Lines
Rockbund Art Museum, Shanghai

The Rockbund Art Museum in Shanghai is proud to present the latest exhibition “Walking On The Fade Out Lines” from March 24 to May 27, 2018. >> Read more

Interviews, 2018.03.07 Wed, by

Michael Ku Gallery
Even though the future may be far away,
Even though saying good bye needs not be at an airport,
If only you could describe a future

Michael Ku Gallery is proud to present an exhibition that gathers the works of five young contemporary Taiwanese artists, all of whom share artistic sympathies and inspire one another. From their works, viewers will gain insight into the defining characteristics of Taiwan’s contemporary art. >> Read more

Interviews, 2018.02.11 Sun, by

Walking On The Fade Out Lines
The Rockbund Art Museum