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2012.10.17 Wed, by

Long March Space

Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse and promotion of contemporary art in China. >> Read more

2017.07.14 Fri, by

Hong Kong Round Up

Talkover/Handover 2.0 at 1a Space / “Canton Express: Art of the Pearl River Delta” at M+ Pavilion / Fereydoun Ave's “Shah Abbas and His Page Boy” at Rossi & Rossi / Wong Chung-Yu's “Centrifugal Force” at Hanart TZ gallery / Jacqueline Kiyomi Gordon's “Catchy” at Empty Gallery / R. Streitmatter-Tran's “Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran” at de Sarthe gallery >> Read more

2016.04.08 Fri, by

“All men are created equal” by Xin Yunpeng

(中文) 拾萬空间将于2016年4月7日呈现辛云鹏项目作品：人人生而平等。 >> Read more

2013.11.25 Mon, by

Cattle Depot Artist Village

Cattle Depot Artist Village (牛棚藝術村) is located on 63 Ma Tau Kok Road, Ma Tau Kok, Kowloon, Hong Kong. The site was originally used as a slaughterhouse from 1908 to 1999. It was renovated and developed into a village for artists in 2001. It is now home to around 20 art groups. The old cattle […] >> Read more

2013.06.06 Thu, by

The Informer – Art Basel & Hong Kong art week

Following the week that was the first edition of Art Basel in Hong Kong, we have much to look back on — though perhaps not as much as we expected. Certainly, the Basel Effect manifested itself in a number of ways. One could detect it in relative absence of kitsch and tat amongst the booths... >> Read more

2013.05.21 Tue, by

Far from the Madding Crowds

Where can you go to avoid the art crowd in Hong Kong, particularly when neighborhoods like Central and Wanchai can seem overrun with visiting luminaries during the month of May?

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2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

2020.12.17 Thu, by