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2015.03.13 Fri, by

Art Week Aftermath: Gillman Barracks

Among the hubbub, a number of shows stood out— in particular, solos by Justin Mortimer and Wong Lip Chin at Future Perfect and Galerie Michael Janssen respectively... 
 
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2014.09.24 Wed, by

Before the Beginning and After the End

“Before the Beginning and After the End” at Long March Space exhibits a carefully picked selection of a dozen works by seven artists. Some of the works directly touch upon the concept of “time” while the others, viewed under the subject of “time”, invite new imagination and interpretation on the works. >> Read more
Interviews, 2014.08.08 Fri, by

“Wu wei er wei”—or an afternoon with Wang Keping

There has been much focus on the “Stars Group” of late, as well as similar art movements like “Wu Ming” (“No Name”). But one member of the defunct art movement living in Paris is not making many waves. In fact, he seems to be making no waves at all... >> Read more
Interviews, 2014.03.19 Wed, by

Interview with Brian Wallace

Rightly credited with founding the first foreign-owned contemporary art gallery in Beijing, Brian Wallace came to China from Australia in 1984, and founded Red Gate in 1991.
 
 
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Interviews, 2014.02.18 Tue, by

Gabriel Lester’s solo exhibition: The Ears Have Walls

Paying homage to the early 20th century theater performance, one of the most sought-after Dutch artists Gabriel Lester will showcase a unique musical performance in his solo show “The Ears Have Walls” at LEO XU PROJECTS. His works deal with global immigration and the changing living condition, a follow-up of his grand survey “Roxy” at Minsheng Art Museum in 2012. >> Read more
Interviews, 2013.10.06 Sun, by

Rauschenberg Said, “The Walking Stick Is Longer than the Maulstick, After All.”

eijing Commune is proud to announce the opening of artist Qiu Xiaofei’s exhibition Rauschenberg Said, “The Walking Stick Is Longer than the Maulstick, After All.” >> Read more
Interviews, 2013.09.06 Fri, by

The Traces on the Wall

After being scoured by the waves of humid, hot air and the routine rush of exiled office workers outside the Pedder Building, one finds the rainbow-hued print by Barbara Kruger printed with “When was the last time you laughed?” timely. With a resistance against falling into a chicken-soup-for-the-soul reflection moment... >> Read more
艺术家档案, 2013.03.14 Thu, by

The Afterlife of Images: Yan Lei and Zhou Tiehai

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more
艺术家档案, 2016.03.19 Sat, by

MOMENTUM and Videotage
for Art Basel Hong Kong

Acentered: Reterritorised Network of European and Chinese Moving Image during Art Basel Hong Kong. Presented by the Art Basel Crowdfunding Initiative, Acentered is part of the Crowdfunding Lab and curated by Videotage. >> Read more
艺术家档案, 2015.06.05 Fri, by

MOMENTUM at LOOP 2015 and on IkonoTV

Since the 70s, Berlin has attracted some of the most avant-garde musicians from around the globe, with a strong upsurge of experimental music in the 90s set within the rich atmosphere of possibility that marked the years following the fall of the Berlin Wall. Today, Berlin’s sound-scene continues to take a leading role on the international stage. >> Read more

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