A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner >> Read more
Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more
Taipei Dangdai announces a stellar line up of 90 galleries from across the globe, to kick off the 2019 art world calendar. The first edition of the fair attracts a strong participation of leading international galleries who will exhibit in Taipei for the first time, whilst showcasing the very best of Asia. >> Read more
“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more
A constellation of walls, floors, and hangings acts as the foundation for Ma Jianfeng’s current show, creating a three-dimensional material and spatial experience by interweaving indistinct imagery and abstract symbols with artifacts and artworks. >> Read more
London, August 22, 2017: With less than one month until the opening of its fourth edition, PHOTOFAIRS | Shanghai today announces the prominent Chinese collectors and their artworks for its new Collectors’ Exhibition alongside the complete 2017 gallery list. >> Read more
CL3, one of Asia’s leading architecture and design firms, is delighted to announce the completion date for H Queens in Central, Hong Kong. >> Read more
They represent acts of retreat from the world but they are uncertain paradises. Mere escape is not a refuge, and perhaps they doth protest too little. >> Read more
“Here’s Looking at You” takes as its subject the self in photographs as a vehicle for examining the diverse ways in which people choose to be photographed, and how the ways in which we see ourselves have (or haven’t) changed from the 1980s to today. >> Read more