randian | 燃点

(中文) 墨虎恺的评论。 >> Read more

Michael Werner Gallery, New York is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 21 February. This exhibition of paintings is a visual history of one of the most important artists to emerge from post-war Germany and spans four decades of the artist's career from 1974 to 2007. >> Read more

Michael Werner Gallery, London is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 16 November. >> Read more

Michael Werner Gallery, London is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 16 November. This exhibition of paintings is a visual history of one of the most important artists to emerge from post-war Germany and spans four decades of the artist's career from 1974 to 2007. >> Read more

David Zwirner is pleased to present an exhibition of paintings and works on paper by Oscar Murillo at the gallery’s Hong Kong location, marking the artist’s first solo presentation in Asia. >> Read more

Pictures Generation artist, Matt Mullican, renowned for his work with signs and flags and pioneering hypnosis performances, exhibited in China for the first time during West Bund Art & Design last November, with a special presentation of his flag works. >> Read more

David Zwirner is pleased to announce an exhibition of work by Polish artist Andrzej Wróblewski (1927–1957) at the gallery’s 24 Grafton Street location in London. This will be the first solo presentation of his work in the United Kingdom. >> Read more

David Zwirner is pleased to present an exhibition of new photographs by Stan Douglas—the artist’s fourteenth solo exhibition with the gallery—at 525 West 19th Street in New York. >> Read more

Galerie Chantal Crousel is pleased to present Haegue Yang’s third solo exhibition, "Quasi-ESP", after "Ajar" (2012, La Douane) and "Ovals and Circles" (2013). >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more