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INK studio is proud to present Flesh and Bone, a comprehensive survey of internationally renowned artist Li Jin’s early works, >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Over the years, TKG+ has been undertaking the mission to promote influential Asian artists with great potential to the public. >> Read more

Tabula Rasa Gallery is pleased to present group exhibition: Aberrant Decoding on September 1, 2018. >> Read more

Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more

(7 June 2018, Hong Kong) M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, is pleased to announce In Search of Southeast Asia through the M+ Collections, which will be presented at the M+ Pavilion from 22 June until 30 September 2018. >> Read more

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more

和 (he’) in Mandarin Chinese can be translated into, among other things, “with”, “harmonious”, “peace”, “unity”, and ”understanding”. >> Read more

INK studio Beijing is proud to announce a major solo exhibition entitled Walking Penumbra for California- and Shanghai-based artist Zheng Chongbin. >> Read more

Hong Kong—Pearl Lam Galleries is proud to present two solo exhibitions of works by Kour Pour (b.1987, England) and Su Dongping (b.1958, China) in Hong Kong. Kour Pour is known for his elaborate carpet paintings that depict familiar symbols of different cultures and universal concepts of beauty. Inspired by an early education in textiles from […] >> Read more