Although Ji Dachun’s his works occupy a special role in a Chinese context, he has created his own personal aesthetic in a seemingly playful way. The past and the present that interest him refer to the experiences of the individual and not a society’s political situation. >> Read more
Chambers Fine Art is pleased to present Transitions, an exhibition featuring three young artists whose worksillustrate the way in which transitional periods within their lives have informed their art practice. >> Read more
This symposium asks how periodicals in Asia across the twentieth century have fostered conversations about art and emergent forms of visuality. We are interested in how periodicals constitute genealogies of language and nomenclatures around the modern, the contemporary, the indigenous, the nation, arts and crafts, and tradition. >> Read more
Two years later, ART021 had outgrown its home on the Bund and moved...to the Shanghai Exhibition Centre (ha!)...Chris Moore reviews ART021 2016. >> Read more
Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more
We are pleased to announce the exhibition and programs of Singapore Art Archive Project at SA SA BASSAC: Koh Nguang How and Shui Tit Sing with curators Vera Mey and Mélanie Mermod >> Read more
Light Pavilion Project 6.23/2016 - 7.23/2016 Opening: June 23, 16:00 Curator: Li Jia Artistic Director: Tang Xin Artists: Hu Qingtai 【Exhibition Briefing】 As the third exhibition of the project “Light Pavilion”, “Hu Qingtai: Two Parts” is made up of “Three Chapters of Discomfort” and “Curved Road”, both documenting something the artist had been repeatedly doing […] >> Read more