randian | 燃点

Richard Koh Fine Art (RKFA - SG) is pleased to announce Haffendi Anuar first solo exhibition in Singapore, >> Read more

Stepping into the exhibition, what I first noticed were two Chinese characters about a person’s height, printed in red, jumping out from the white background of the gallery. These characters provide the most distinctive visual cues in Zeng Hong’s solo exhibition “Quaderni Rossi”. >> Read more

As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a solo presentation of ceramic works by gallery artist Mai-Thu Perret. Known for her multi-disciplinary practice that engages installation, performance, sculpture, textile, and the written word, Perret derives inspiration from such avant-garde art movements of the twentieth-century as Dada, >> Read more

Every society is based on strong systems of belief that are part of our culture and daily lives. >> Read more

de Sarthe is pleased to announce a solo presentation by Christopher K. Ho, opening 1 September and running through 15 September. >> Read more

Galerie Gisela Capitain is pleased to announce its first exhibition with Peruvian artist Ximena Garrido-Lecca (* 1980 in Lima, Peru). >> Read more

(中文) 作为一名多媒体艺术家，施勇（1963年生于上海）的创作涉及行为艺术、装置、影像和雕刻，其不拘一格，风格迥异的作品背后往往体现了其对文化、经济，以及艺术界的深刻剖析。 >> Read more

America My Hometown traces Edward Kienholz’s formative years (1954-1967), showing an artist coming to terms with both his unique vision and the social climate of the US throughout this tumultuous era. The work is direct and raw in its execution, as well as unsparingly critical of the political problems of twentieth-century America. >> Read more

In “Into the Great Wide Open” the late Tom Petty describes a hegemon in the fog of post war hubris as “a rebel without a clue”. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more