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2018.04.18 Wed, by

RANDOM INTERNATIONAL
Everything & Nothing
Yuz Museum, Shanghai

Yuz Museum Shanghai presents “Everything & Nothing,” Random International’s firstsolo exhibition in Asia. >> Read more
2016.11.25 Fri, by

Shanghai Gold Rush Part 1: West Bund Art & Design

I stepped off the plane, inhaled deeply, and choked on the news that America had elected Donald Duck as president. Had the plane actually crashed in a massive ball of fire without me noticing? >> Read more
2016.10.23 Sun, by

Yuz Museum – Andy Warhol – Shadows

Yuz Museum is proud to organize for the first time in Asia, the Chinese premiere of Shadows by Andy Warhol: “a monument to impermanence” (Holland Cotter, New-York Times). >> Read more
Artist profiles, 2015.03.21 Sat, by

Itching All Over: Tang Dixin

"Itching All Over" perhaps is the most fitting phrase Tang Dixin has found to describe his creative being or state of being (surviving). Itch is either a desire inside one’s body that is eager to be released but probably will never be satisfied, or an individual’s reaction towards circumstances imposed by the external environment... >> Read more
Interviews, 2022.01.28 Fri, by

Animal Mineral Vegetable: Angela Bulloch’s Architectural Gestures

Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> Read more
思考, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
思考, 2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
思考, 2021.02.18 Thu, by

Will Thurman ‘Life Paintings, Volume 1: 2015-2020’
Galerie Quynh, Ho Chi Minh City

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […] >> Read more
思考, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

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