randian | 燃点

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more

Tang Contemporary Art is proud to announce “Refutation,” Ai Weiwei’s second solo exhibition from March 26 to April 30, 2018 at the gallery’s new space in H Queen’s. >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

The M K Lau Collection, one of Asia’s finest private collections of 20th century brush and ink paintings is proud to present Intimate Encounters: Handscrolls and Albums from the M K Lau Collection, showcasing 50 works that have rarely been presented to the public. >> Read more

As an annual exhibition featuring works by artists from Northeast Asia, “Asia Corridor” could have the potential to delve into some rather interesting and seldom-broached issues in this region. >> Read more

Kukje Gallery is pleased to announce Gridded Currents, a group exhibition featuring four artists actively engaged in the global contemporary arts scene, from July 20 to August 20, 2017. >> Read more

Ding Yi’s paintings refuse to answer, to limit or be limited. Whether small or vast, their multi-hued fields of crosses map and divide pictorial space, transparent and unguarded, beguiling with pattern. But this is no panacea for interpretation, for anything-goes opinion. Look closely at each painting and you can become familiar with them, with the individual character of the multitude of marks that compose their seeming and actual similarity, the repetitions, threads and permutations, and yet still not know them >> Read more

The moment we embarked on the journey of inves­ti­gating Pan Yuliang and her life, we found the pre­scribed mis­sion of speaking for her impos­sible. >> Read more

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more