randian | 燃点

After representing the American Pavilion for the 2013 Venice Biennale, Sarah Sze has now moved on to occupy both Victoria Miro’s spaces in London, in what is in fact Sze’s third exhibition with the gallery. >> Read more

    15 February – 19 April 2015 OPENING 14 February 2015 @ 19:00 @ MOMENTUM BERLIN On the Occasion of the 5th Birthday of LEAP Magazine MOMENTUM Presents LEAP LABS‘ Online & Print Exhibition Curated by Cao Dan and Li Zhenhua Web-site for the Online Exhibition Featuring: Aaajiao • Addie Wagenknecht • Bi Rongrong Chen […] >> Read more

Victoria Miro first opened her gallery in Cork Street, Mayfair in 1985. In 2000 Victoria Miro Gallery relocated to a converted, 8,000-square-foot former furniture factory situated between Hoxton and Islington in northeast London. >> Read more

Perhaps coincidentally, it is these artists with the least exposure in Shanghai who best capture the current global zeitgeist As a result, the exhibition proposes an evolutionary narrative of some kind, beginning with landmark projects produced a decade ago for which artists traveled to or were temporarily-based in China... >> Read more

Through video, photography, installation, sound, and performance works, this exhibition explores the plurality of Topophila: how these artists relate to a sense of place, and their (cultural-geographic-psychological) identity. >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> Read more

The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> Read more