randian | 燃点

继2013年代表美国参加了威尼斯双年展之后，萨拉·施（Sarah Sze）的作品此次占据了伦敦维多利亚·米罗画廊的全部两个空间，这也是她在该画廊的第三次个展。也许有人还会记得15年前（1998）施在伦敦当代艺术学院（ICA）的那件装置：她用当时自己的标志性材料（棉签、牙签、杂货店淘来的各种玩意）搭建了一个令人眼花缭乱、充满童趣的星座...... >> 更多

对不起，此内容只适用于English。 >> 更多

(English) Victoria Miro first opened her gallery in Cork Street, Mayfair in 1985. In 2000 Victoria Miro Gallery relocated to a converted, 8,000-square-foot former furniture factory situated between Hoxton and Islington in northeast London. >> 更多

巧合的是，正是这些在上海鲜为人知的艺术家，抓住了当今时代全球（global）精神的脉搏。也正因如此，展览提供了一个递进式的叙事结构：始于十年前，艺术家旅行和暂居中国的创作，止于现今，所谓中国地域和身份元素已不是重心的作品...... >> 更多

此次展览通过录像、摄影、装置、声音和行为作品，力图研展“恋地情结”的多元面向：艺术家们是如何解读地域感和个体(文化、地理、心理的)身份的;华人移民的故事何其曲折辗转，而它对在地经济文化的贡献又是何以融入我们当今的世界。 >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> 更多

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多