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2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
2018.06.19 Tue, by

Art Basel Unreport—Beautiful But Boring?

“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more
Interviews, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more
Interviews, 2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
Interviews, 2018.05.24 Thu, by

Xu Longsen
Mountains in the Clouds
Hanart TZ Gallery, Hong Kong

Hanart TZ Gallery is honoured to present Xu Longsen’s latest solo exhibition, Mountains in the Clouds. The opening reception will take place in the presence of the artist on Friday, 25 May 2018, from 6-8pm, at Hanart TZ Gallery. >> Read more
Interviews, 2018.03.07 Wed, by

Chronus Art Center
Jim Campbell & ZHANG Peili
The Flickering Uncertain

Chronus Art Center is pleased to present Jim Campbell & ZHANG Peili: The Flickering Uncertain, >> Read more
Interviews, 2017.10.30 Mon, by

unREAL. The Algorithmic Present
Chronus Art Center

Art has always been a testbed for a notion of the real. In contemporary art of the last fifty years, >> Read more
Interviews, 2017.09.06 Wed, by

[dis][locate] : a Presentation
Chronus Art Center

Chronus Art Center (CAC) is pleased to announce [dis][locate], >> Read more
Interviews, 2017.08.03 Thu, by

“A Chemical Love Story”, The first space of Tang Contemporary Art Beijing

Artists: Carla Chan, Han Qingzhen, Liao Fei, Liu Yujia, Liu Zhangbolong, Musquiqui, Shi Zhiying, Yao Qingmei, Yorkson Exhibition Dates: August 5 – September 16, 2017 Location: The first space of Tang Contemporary Art Beijing Opening Reception: 4pm, Saturday, August 5, 2017 The exhibition title “A Chemical Love Story” comes from PiHKAL: A Chemical Love Story, […] >> Read more
Interviews, 2017.07.14 Fri, by

Chronus Art Center is pleased to present Artist-in-residence Open Studio

On July 15th, Chronus Art Center will host an Open Studio event of current Research and Creation Fellowship artist Andrej Boleslavský. >> Read more

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