randian | 燃点

Klein Sun Gallery is pleased to announce Keep Upright, its fourth solo exhibition for leading conceptual artist Shen Shaomin on view from March 4th through April 29th, 2017. >> Read more

Berlin has awoken from its new year hangover and there is lots to see, including some shows still from the end of 2016. George Condo is showing at the esteemed Museum Berggruen, home of the collection bequeathed to Berlin by the fabled collector-dealer, Heinz Berggruen. Condo mixes his psycho-analysis of modernism directly with Picasso, Paul Klee […] >> Read more

When we go through the mainline of western painting， >> Read more

The Drawer of Wu Dayu centers on Wu's oeuvre in watercolor, oil pastel, and mixed media, with a hundred works carefully selected from nearly 700 pieces of non-sketch or studies. >> Read more

Professor Zhu Qingsheng, of the history department at Peking University, has divided the development of abstract art into three stages..."The Third Abstraction” returns to the essence of human nature, that chemical reaction as the body comes into contact with matter, and the spiritual nurturing from within... >> Read more

Until the curator, critic and academic Roselee Goldberg founded Performa in 2004, performance art was largely absent from large cultural institutions such as museums and blue chip galleries.
 
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Chambers Fine Art is pleased to announce the opening on November 7, 2015 of both LaoZhu’s own namesake exhibition, and the exhibition The Third Abstraction focusing on art by Shang Yang, Tan Ping, Wang Huaiqing and Yan Shanchun. >> Read more

The Galerie Nathalie Obadia is pleased to present the new series of paintings by Enoc Perez during its fourth collaboration with the American painter born in Puerto Rico in 1967. >> Read more

As such, the progress of Wang Jianwei’s work is not a development in the conventional sense; neither it is it a sequence of repetition. More accurately, it is a system of mutually reinforcing extensions of art propositions and their variations... >> Read more

One only has to look up at the Shanghai “Boogie Woogie” that agitates in fits outside and in myriad renewed metropolises throughout China, as much as anywhere else. Cui’s response is not to compete but to measure, not to define but to explicate, to process, to seek a rebirth. >> Read more