Landscapes of Youth
Zhang Tianjun's work does not refer to any single period or masterpiece, and his focus appears not on the content of the piece itself, but rather on the multiplicities of spatial composition. >> Read more
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Larry Bell: Light and Red
White Cube is pleased to present an exhibition of new works by Larry Bell. This exhibition, his first in Hong Kong, will include a new series of sculpture and works on paper. >> Read more
Focus China: Interview with Philip Tinari
This year, the spotlight of the Armory Focus will fall on China, with Ullens Center for Contemporary Art in Beijing (UCCA, Beijing) Director, Philip Tinari curating the exhibition program.Randian interviewed him just prior to The Armory Show’s launch. >> Read more
Interview with Liu Chunfeng
“@What—New Contemporary Art from China” (ArtMIA Caochangdi Space) marked the twentieth anniversary of diplomatic relations between the People's Republic of China and the Republic of Korea. Liang Shuhan interviews curator Liu Chunfeng for a better understanding of the Sino-Korean dialogue in contemporary art. >> Read more
In Absentia: Gu Dexin
“The Important Thing is Not the Meat” must be one of the most keenly anticipated Chinese shows of 2012. It is a grand exhibition not only by virtue of looking back over the career of Gu Dexin — very arguably China’s greatest conceptual artist thus far — but also because Gu himself has, to all accounts, quit art... >> Read more
Paint Spotting: A Damien Hirst Primer
Picasso, Duchamp, Pollock, Warhol and Hirst at one time or other have been reviled in both the popular and academic press. Pause. This list summarizes the greatest achievements in art of the last 100 years. One could add others to the list too — Matisse, Barnett Newman, Beuys, >> Read more
Roy Lichtenstein’s “Landscapes in the Chinese Style”
Like Cubism, Pop Art relied on two great talents who defined the movement for everyone else, contemporaries and followers alike. Roy Lichtenstein played Braque to Andy Warhol’s Picasso. Of the two, Lichtenstein was the quieter, more studious, and more conservative... >> Read more
Spheres of Influence
The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more
