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2015.03.05 Thu, by

Paper, Scissors, Rock
—Sarah Sze at Victoria Miro

After representing the American Pavilion for the 2013 Venice Biennale, Sarah Sze has now moved on to occupy both Victoria Miro’s spaces in London, in what is in fact Sze’s third exhibition with the gallery. >> Read more
momentum, 2014.05.07 Wed, by

PANDAMONIUM CURATORIAL CONVERSATION

A conversation between Li Zhenhua and David Elliott, curators of "PANDAMONIUM: Media art from Shanghai" >> Read more
Artist profiles, 2013.06.18 Tue, by

Endless Circuit: Disjointed Notes towards an Essay on the Work of the Artist Yu Youhan

Paul Gladston charts the trajectory of Yu Youhan’s practice from his literati inspired abstract works, to his political pop paintings to his fusion inspired landscapes — revealing new meanings behind his worth through in-depth interviews with the artist. >> Read more
Artist profiles, 2013.05.03 Fri, by

Li Zhenwei: Irrational · Transcendent

Simon Kirby looks at Li Zhenwei's work in light of his solo exhibition at the new Caochangdi space Telescope.
 
 
 
>> Read more
Think, 2013.04.15 Mon, by

Art in the Age of Mass Production: Is the Long Museum Just Another Museum?

With money and space, the Long Museum has potential, but do they have the curatorial chops to turn a building into a museum? Despite a less-than-mind-blowing first show, it's nonetheless a good place to see a very extensive collection of Chinese art. >> Read more
Interviews, 2012.06.04 Mon, by

Interview with Elisabeth de Brabant

And there are tremendous artisans in the Chinese market. It would be amazing to see contemporary porcelain. The Koreans are doing very interesting porcelain in contemporary art. It would be nice to be able to go back into woodwork craftsmanship. Chinese contemporary art is getting back into Chinese ink. I think it will happen in time, but it would be nice to see more usage of their ancestry and different crafts. >> Read more
Interviews, 2011.10.24 Mon, by

Interview with Elisabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more
Interviews, 2010.10.24 Sun, by

Talking With Elizabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China […] >> Read more
Think, 2010.09.09 Thu, by

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