randian | 燃点

How much translation is needed to bring out relationships between different works? The Part In The Story is an exhibition exploring the transmissive qualities of objects, situations, and storytelling, where one can dissolve into the others. >> Read more

How can one work of art moderate another one? Can the audience become the moderator of the works on view? >> Read more

The 8th Shenzhen Sculpture Biennale, organized by OCAT (OCT Contemporary Art Terminal) will take place at OCAT and B10 in OCT Loft, Shenzhen. >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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Borrowing from the Art Basel model, Art Stage Singapore has this year sought to emphasize content, and to integrate it closely with the sales imperative of the fair. >> Read more

A review of PARA/site's memorably-named exhibition "Do Androids Dream of Electric Sheep?" >> Read more

Para/Site Art Space proudly presents Do Androids Dream of Electric Sheep? >> Read more

Catherine Freeman: I come from a design background, and I like how in your pieces you have so much architectural and design imagery. I wonder how this came to be one of your inspirations? >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more