randian | 燃点

Chen Shaoxiong (b.1962, Guangdong) studied printmaking at Guangzhou Fine Art Academy. He is a founding member of the (in)famous Big Tail Elephant Collective, which also included Chen Zhen. His work often employs traditional media, such as brush work, that is then transformed through new media, such as video... >> Read more

Idea of Exhibition “Infra-mince” is a mysterious concept that Marcel Duchamp proposed, with which he attempted to open up a subtle passage between the self and others. In a cross-cultural context that incorporates both East and Wes, and through a pursuit of the creative transformation of the Chinese traditional prosaic aesthetic, especially a new reactivation […] >> Read more

Tang Yongxiang, an artist from Hubei, was initially akin to other painters like Shi Chong and Xu Wentao, and had a high regard for realist techniques. >> Read more

Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> Read more

The Singapore Art Museum (SAM) reveala a list of 62 artists and art collectives and selected artwork highlights for the Singapore Biennale 2016 >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> Read more