randian | 燃点

The Shanghai Project is a hybridized international arts festival that brings together mixed teams of culture and arts practitioners from both Shanghai and abroad and from various fields—including contemporary art, film, literature, architecture, design, performance, and education. >> Read more

"Itching All Over" perhaps is the most fitting phrase Tang Dixin has found to describe his creative being or state of being (surviving). Itch is either a desire inside one’s body that is eager to be released but probably will never be satisfied, or an individual’s reaction towards circumstances imposed by the external environment... >> Read more

Ink Studio is looking to recruit an Assistant Gallery Manager Ink Studio is looking to recruit a Media Coordinator >> Read more

The concept of “the third world” in the international political system came into being during the Cold War period. >> Read more

A Thousand Plateaus Art Space is pleased to announce the opening of the four-year local art practice project Parallel Suspension by the artist group Chen Jianjun + Cao Minghao, as well as the first edition of annual group exhibition project Summer Discovery 2014 on August 9th. >> Read more

The second iteration of the CAFAM Biennale focus squarely on the importance of curatorship. This show invited top graduates in curatorial studies from six art schools around the world as the curators... >> Read more

赵刚在AYE画廊最新个展“皇帝和他的……”，延续了个展“契丹人”的思路。 >> Read more

More and more organizations within China have begun to categorize themselves as non-profit organizations, to such an extent that even galleries have begun to style themselves as non-profit spaces. >> Read more

Furnace-hot people, molten, abused, abusing, filled the paintings of Yang Shaobin, televisual violence and internet grotesquery playing to our sadomasochistic scopophilia. You couldn’t look away...
 
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“The attention should never be on the paintings themselves, which I deliberately repeat in different series to deconstruct their visual power, but the concept behind the forms. I am interested in the way we look at exhibitions and how our pre-existing knowledge, whether cultural, religious or political, affects our perception of art. >> Read more