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2013.05.15 Wed, by

17% Increase in Confidence in Chinese Contemporary Art Market

ArtTactic Chinese Contemporary Act Confidence Survey reveals that the primary market is strengthening against a weakening auction market which bodes well for the long-term health of the art market as a whole. >> Read more
2012.12.06 Thu, by

Australia China Art Foundation

The Australia China Art Foundation (ACAF) is a not-for-profit public organisation dedicated to supporting artists and building active links in the field of contemporary art between Australia, China and the Asia-Pacific region. >> Read more
2012.09.24 Mon, by

Platform China Contemporary Art Institute

(中文) Pei Li, Zhang Yexing, Qin Qi, Ma Ke, Qi Wenzhang, Song Yuanyuan, Xiao Jiang, Wang Gongxin, Li Ming, Jin Shan, Shi Jinsong, Zhou Yilun, Huang Liang, Bi Jianye, Xiao Bo, Jia Aili >> Read more
Art World, 2011.01.26 Wed, by

Follow the White Rabbit

Judith Neilson's White Rabbit Gallery in Sydney, Australia. >> Read more
Art World, 2021.06.19 Sat, by

Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
Art World, 2020.12.17 Thu, by

Boundaries Ahead – Oh Bay Art Project, Shenzhen

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
Art World, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Art World, 2020.09.27 Sun, by

Double Moon
Going for a walk with Yuan Yuan and Wang Zhibo
in Berlin and Hangzhou

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more
Art World, 2020.06.30 Tue, by

Recovery, See-Saws, and Turbulence

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more
Interviews, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

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