randian | 燃点

How Art Museum is an independent contemporary art agency which runs according to the standard of international art museums. With sound systems and perfect facilities, pragmatic academic mechanisms, as well as advanced management ideals, it is devoted to creating an international platform for artistic exchange and promoting the development of contemporary art in China. With […] >> Read more

Temu reflects on the scale of ideas and the smallness of meaning. In this season of rebirth, instead of rushing to "predict" formulaically the trends in this year’s contemporary art, perhaps it is more worthwhile to think of what was thoughtful and meaningful in the past year. >> Read more

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more

Fabien Fryns grew up in Belgium and Switzerland and began collecting art while still in high school. His first gallery was in Malaga, Spain, but in 2004 he moved to Beijing and opened a gallery in Caochangdi (F2 Gallery). >> Read more

If you want a picture of the future of art fairs, imagine a boot stomping a human face (especially about the eyes)—forever. It might seem a bit much to bring up Orwell in relation to Art Basel Miami Beach, but with the fair’s recent acquisition of Art HK, the Swiss company has moved from the institutional to the despotic. >> Read more

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more

Tim Marlow of White Cube speaks about the gallery’s expansion. >> Read more

White Cube was launched in 1993 by Jay Jopling with the eponymous “white cube” room in London’s West End, designed by renowned minimalist Claudio Silvestrin. Its groundbreaking curatorial device used the space for a series of unique projects by individual artists. >> Read more

Ioan Whittaker talks with the director of the Ullens Center for Contemporary Art (UCCA) in Beijing, Jérôme Sans, about his time at the institution. >> Read more

How a Shanghai institution helped legalize avant-garde art practice. >> Read more