randian | 燃点

Para Site presents a weekend event that consists of a long-night marathon of anime screenings, a panel discussion on the imagination of Sekaikei and its visual representation, as well as a special Hong Kong premiere of Fuyuki Yamakawa’s performance. >> Read more

Edouard Malingue Gallery (Hong Kong) is pleased to present the second edition of ‘Film Screening’, a summer programme initiated in 2017 focusing on moving image. >> Read more

Mai 36 Galerie and Ota Fine Arts Shanghai are delighted to present Ethereal Machines, a dual exhibition that brings together Chinese artist Zang Kunkun and Singapore artist Guo-Liang Tan. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

With this jubilation we introduce the volume and discuss its topics with focus on dualisms and monism and what might they mean for our environments, technology, politics and our co-beings- material and immaterial. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

Amidst the proliferation of private art museums in Shanghai and around China, smaller collector spaces are also opening with more modest but also more focused ambitions. Influential Shanghai collectors, Andrew and Lingling Ruff, opened 166 Art Space in late 2017. Its third show, curated by Josef Ng, opens this month. Ran Dian: Andrew, what brought […] >> Read more

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more

Liang-Pin Tsao: Becoming/Taiwanese pivots around Martyrs’ Shrines across the island. Capturing the Martyrs' Shrines through photography, the artist then transfers the imagery along with archival images of the Shinto shrines onto light boxes, juxtaposed with historical documents, in an attempt to foreground the past relationship between Taiwan and Japan. >> Read more

Swarms of ochred colour flush the canvases; figures huddle in the foreground, conversant, anonymous; spectral homes occupy the painterly surfaces. As if recalled from distant mnemonic incidents, the various elements populate ‘Differentiation’, the new series of works by Cui Xinming (b. 1985, China), presented for the first time at Edouard Malingue Gallery, Hong Kong. Marked […] >> Read more