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2017.02.26 Sun, by

George Rickey: Sculpture from the Estate
Marlborough Fine Art,London

Marlborough Fine Art is pleased to present an exhibition of works by renowned American sculptor George Rickey (1907 – 2002). On view for the first time in London, and the first time in the UK since 1982, are 16 sculptures from the private holdings of the George Rickey Estate. An iconic and influential sculptor represented […] >> Read more
2017.02.07 Tue, by

Eight Days a Week — Yao Jui-chung Solo Exhibition

The Tina Keng Gallery is pleased to present Eight Days a Week — Yao Jui-chung Solo Exhibition, on view from February 18 to March 16, 2017. >> Read more
2017.02.06 Mon, by

Encounters to present 17 ambitious large-scale projects – including 12 new works – by leading artists from across Asia and beyond

Art Basel in Hong Kong's widely acclaimed Encounters sector – a unique platform dedicated to presenting large-scale sculptural installations that transcend the traditional art fair booth …… >> Read more
Interviews, 2017.01.27 Fri, by

The Urinal in the Art World
—Interview with Stefan Simchowitz

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more
Interviews, 2016.12.16 Fri, by

The 3rd Shenzhen Independent Animation Biennale: “Time Based / Non-places”

The Third Independent Animation Biennale opened on December 12, 2016 at C2 in Shenzhen’s OCT-LOFT. In order to make the exhibition look the part, the curator has delineated six areas... >> Read more
思考, 2016.12.08 Thu, by

Wet Ontology: Thoughts on Ocean Space

The ocean space borrows its designation as a non-space from the fact that it is by law a no-man’s-land: the sea belongs to everyone and to no one. >> Read more
思考, 2016.10.26 Wed, by

ALEX SETON
“Pygmalion”
Sullivan+Strumpf
Singapore

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more
思考, 2016.10.03 Mon, by

National Gallery Singapore unveils “Artist and Empire: (En)countering Colonial Legacies” in first-ever collaboration with Tate

Art and history come alive as National Gallery Singapore unveils its much-anticipated "Artist and Empire" exhibition at the Singtel Special Exhibition Gallery. >> Read more
思考, 2016.08.10 Wed, by

Singapore Art Archive Project at SA SA BASSAC | 31 July – 8October, 2016

We are pleased to announce the exhibition and programs of Singapore Art Archive Project at SA SA BASSAC: Koh Nguang How and Shui Tit Sing with curators Vera Mey and Mélanie Mermod >> Read more
思考, 2016.06.05 Sun, by

Baptist Coelho wins Sovereign Art Prize

The Sovereign Art Foundation is delighted to announce that artist Baptist Coelho, of India, has won the 12th annual Sovereign Asian Art Prize. >> Read more

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