randian | 燃点

In this new body of work I have begun to incorporate new painted surfaces that resemble textiles, >> Read more

An Ordinary Poetry explores and celebrates the ordinariness of everyday life. >> Read more

https://www.sullivanstrumpf.com >> Read more

Monumental. Immersive. Phallic. Over the past three years Ramesh Nithiyendran’s work has become synonymous with these encompassing descriptors. >> Read more

In the 1970s, American artist Michelle Stuart took paper into the landscape, where she massaged soil and graphite into its surface, tracing over the uneven ground to catch its shadow. >> Read more

Sullivan+Strumpf Singapore is pleased to present a major new body of work by Richard Lewer. >> Read more

THAT WAS THEN, THIS IS NOW addresses and explores notions of abstraction through works by five selected artists from the region in Sullivan+Strumpf Singapore's 2017 group exhibition which opens on 13 May. >> Read more

Nightshades Dane Lovett 4–18 March Opening Saturday 4 March, 3–5pm Nightshades continues Dane Lovett’s exploration into the still life genre, in a series of work that repetitively cites motifs from art history, as well as his own oeuvre. Rendered in a strikingly restrictive palette of dark purple and warm blues, the series is unifed by […] >> Read more

KERJASAMA, or ‘COLLABORATE’, is a reciprocal visual arts residency between an Australian and an Indonesian artist. Kerjasama was launched in 2014 through Asialink’s arts residency laboratory, in partnership with Artback NT, Australia and Cemeti Art House, Indonesia. This exchange residency program is supported by the Australian Government through the Aboriginal and Torres Strait Islander program, […] >> Read more

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more