randian | 燃点

Gallery 55 is proud to present “MUCHTOOMUCH” - a multimedia group show from the 7th of November 2018 through the 27th of January 2019. >> Read more

Tabula Rasa Gallery is proud to announce the opening of TOUS LES CHEVAUX DU ROI, a group show curated by Wang Paopao, on September 22, 2018. >> Read more

ART LABOR Gallery is pleased to kick off Shanghai's Fall art season with a dynamic group show featuring artists from China, Canada, Holland, the USA, Japan and Australia. >> Read more

Pékin Fine Arts presents Zhang Dali’s latest cyanotypes and figurative marble sculpture in his 3rd solo exhibition with the gallery. Zhang Dali, China’s most well known graffiti artist, stopped tagging buildings marked for demolition and construction in 2006. However, his deep-rooted connection to urban street life remains very much at the core of his practice. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more

de Sarthe is pleased to announce the opening of Dong Jinling's first solo exhibition with the gallery titled The Purity of a Horse on March 17th. The exhibition features a completely new body of work by the artist and will run through May 6th, 2018. >> Read more

Chronus Art Center is pleased to present Jim Campbell & ZHANG Peili: The Flickering Uncertain, >> Read more

J: GALLERY is honoured to announce the opening of “The Imaginations of A Museum” on 3 February, 2018. >> Read more

Swarms of ochred colour flush the canvases; figures huddle in the foreground, conversant, anonymous; spectral homes occupy the painterly surfaces. As if recalled from distant mnemonic incidents, the various elements populate ‘Differentiation’, the new series of works by Cui Xinming (b. 1985, China), presented for the first time at Edouard Malingue Gallery, Hong Kong. Marked […] >> Read more