randian | 燃点

The West Bank Architecture and Contemporary Art Biennale 2013 will be held in the waterfront of Xuhui District, Shanghai in October, 2013. >> Read more

Bund18 Temporary Art Space is an ongoing art project that can be accessed at any time. The future projects of Bund18 Temporary Art Space will constitute an integral aspect of Bund18’s elegant cultural ambiance while serving the world of contemporary art through its investigation into exhibition and showcasing paradigms. The Bund18 Temporary Art Space also […] >> Read more

How was it for you? Here is randian 燃点's review of the Year of the Dragon, in brief. >> Read more

A critical response to Ai Weiwei’s view that the exhibition “Art of Change,” at the Hayward Gallery, fails to address any of China’s most “pressing contemporary issues." Contemporary art in China is, Ai argues, “merely a product” that “avoids any meaningful engagement” and whose only purpose outside China is therefore “to charm viewers with its ambiguity”. >> Read more

A different perspective on "Art of Change", the momentous exhibition of Chinese performance art now on show at the Hayward Gallery in London. >> Read more

Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse and promotion of contemporary art in China. >> Read more

Artists shown include Chen Jie, Chen Wenbo, Comfortable Collective, Dai Qing, Du Zhenjun, Fang Wei, Feng Mengbo, Gao Shiqiang, Gao Weigang, Gu Dexin, Han Feng, Heidi Voet, Hu Xiangcheng, Hu Xiangqian, Hu Xiaoyuan >> Read more

Chambers Beijing In 2007 the opening of Chambers Fine Art Beijing in a building designed by Ai Weiwei greatly expanded the ability of the gallery to represent the work of influential established artists as well as young emerging talents. The transformation of Caochangdi from a village in the north east of Beijing into a major […] >> Read more

Karen Smith: The first question relates to when we initially met. You were in the process of preparing a work for the Third Shenzhen Annual Sculpture Exhibition. It was of a form that was tied to the nature of the moment, especially in its content which reflected the zeitgeist. How did you conceive of the work? >> Read more

For his show at Art-Ba-Ba Mobile Space, Chinnery has perverted the concept behind the legendary “Salon des Refusés” exhibition of 1863 in Paris, where the works of artists such as Édouard Manet who were rejected by the official Paris Salon were exhibited to critical scorn. In contrast, the works to be shown here have been rejected by the artists themselves, and have been selected by the “curator”, artist Wang Jianwei, for a special exhibition. >> Read more