randian | 燃点

The enormous world-wide film industry today pumps out stars at a record rate. Or so it seems. >> Read more

This letter is penned after PRACTICE has been around for two years, >> Read more

Insects are more than creepy-crawly bugs; they are also a central reference point of so much of network culture, from talk of hive minds and distributed networks to algorithms that function like ant colonies; some refer to our cognitive capitalist practices as “pollen society”. >> Read more

(2017/8/16, Shanghai) Yuz Museum is set to open Qin Yifeng’s solo exhibition on September 2nd, 2017, “QIN YIFENG’S WORKS”. >> Read more

Anyone who knows both me and Zheng Li is aware that we are unabashed admirers of each other’s work. >> Read more

A long while ago—around five or six, or even seven or eight years ago—Yuan Gong came over by himself to talk with me about the idea of setting up an art space. >> Read more

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more

Vanguard Gallery is pleased to present group show " Pieces " from April 9, Five artists will participate: Chen Xingye, Mu Xue, Ye Linghan, Yuki Onodera and Xiao Jiang. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

Born in Los Angeles in 1956, Christopher Williams has been represented by David Zwirner since 2000. Open Letter: The Family Drama Refunctioned? (From the Point of View of Production) is his eighth solo exhibition with the gallery, and his second presentation at the London location. >> Read more