randian | 燃点

Simon Lee Gallery is pleased to present an exhibition of new work by Los Angeles-based artist, Gary Simmons. This is his fourth solo exhibition with the gallery. >> Read more

“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more

The Bitcoin bubble appears to have popped finally but blockchain cryptography technology is just getting started. >> Read more

Simon Lee Gallery is proud to present an exhibition of paintings by Bernard Frize, >> Read more

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more

Pictures Generation artist, Matt Mullican, renowned for his work with signs and flags and pioneering hypnosis performances, exhibited in China for the first time during West Bund Art & Design last November, with a special presentation of his flag works. >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more

ShanghART Beijing is pleased to present solo exhibition "I Love You" by renowned Indonesian artist Melati Suryodarmo. >> Read more

She emerges and disappears, paint swirling and eddying, pigment lush and thick. She is familiar to the painter. He has painted her dozens of times. Day turns to dusk. He puts down his brushes. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more