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2018.11.20 Tuesday, 文 /

(English) Josephine Pryde
In Case My Mind Is Changing
Simon Lee Gallery

(English) Simon Lee Gallery is pleased to present an exhibition of new photography, together with some models in 3D, by Josephine Pryde, her second to be held in the London gallery. >> 更多
2018.10.23 Tuesday, 文 /

塔拉·马达尼:角落投影
纽约303画廊

(English) Madani's work posits a world where primal desires are unrestrained by convenient norms. Her works are subsumed by light that points both outward and inward, at human instinct and upended social ritual. Paintings can be grotesque, violent, tender, obscene, and hilarious. >> 更多
2018.06.07 Thursday, 文 /

陈陈陈
“不杀之恩”
候鸟空间 & MO-Industries,柏林

(English) Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> 更多
2018.05.29 Tuesday, 文 /

麦影彤二
任意机器
德萨画廊

德萨画廊诚意推出艺术家麦影彤二的最新展览《任意机器》。 >> 更多
2018.03.18 Sunday, 文 /

娜塔莉·奥巴迪亚访谈

作为法国最具影响力画廊拥有者之一,艺术国际化的强力拥趸者,娜塔莉·奥巴迪亚在中国艺术家如没顶公司、倪有鱼和王克平进入巴黎艺术界的过程中起到了至关重要的作用。 >> 更多
2018.03.17 Saturday, 文 /

(English) JIM SHAW
Simon Lee Gallery, Hong Kong

(English) Simon Lee Gallery is proud to present an exhibition of new paintings by Los Angeles-based artist Jim Shaw. >> 更多
2018.03.12 Monday, 文 /

(English) 10TH BERLIN BIENNALE ANNOUNCES VENUES

(English) Gabi Ngcobo, curator of the 10th Berlin Biennale for Contemporary Art, announced the 10th Berlin Biennale's venues at yesterday's German Federal Cultural Foundation (Kulturstiftung des Bundes) press conference. >> 更多
2018.02.06 Tuesday, 文 /

(English) Station Paradox

(English) This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> 更多
2017.10.30 Monday, 文 /

杂毛连须公
胶囊上海

开始这封信的时候是在 PRACTICE 成立了两年之后, >> 更多
2017.09.14 Thursday, 文 /

保罗·麦卡锡
KUKJE Gallery,首尔

(English) There’s something about being held within the form, like the actual person, the life cast, is held within the fantasy of the form. It’s a piece that draws you in. You go around the back, you come to the front. —Paul McCarthy >> 更多

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