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2016.01.21 Thursday, 文 /

(English) Local/International: FOST Gallery’s Focus on Singaporean Artists

(English) Sometimes the local Singaporean art scene can be overlooked, not least because the major galleries in Singapore tend to be foreign. FOST Gallery is an exception. >> 更多
Artist profiles, 2016.01.12 Tuesday, 文 /

越南的游击艺术馆——“平台艺术空间”总监佐伊·巴特访谈录

对于大多数人来说,越南是一个在二十世纪初才开始形成的概念,而这个概念更多是由外国人而非本地人塑造构建起来的。 >> 更多
Artist profiles, 2016.01.12 Tuesday, 文 /

(English) Richard Koh at Art Stage Singapore 2016

(English) We begin this series of articles on South East Asia visiting Richard Koh, whose eponymous gallery in Kuala Lumpur is Malaysia's most influential, representing artists throughout the region, including Haffendi Anuar, Justin Lim Natee Utarit, and Pattana Chuenmana. >> 更多
Artist profiles, 2015.11.11 Wednesday, 文 /

(English) Richard Koh Fine Art (RKFA) – Gan Chin Lee’s solo exhibition – In-between

(English) Richard Koh Fine Art (RKFA) is delighted to present Gan Chin Lee’s solo exhibition titled "In-between" at our gallery. >> 更多
Artist profiles, 2015.09.11 Friday, 文 /

(English) ASIA NOW – PARIS ASIAN ART FAIR SHINES A LIGHT ON THE CONTEMPORARY ASIAN ART SCENE

(English) ASIANOW is an exceptional fair that allows its audience to freshly reconsider contemporary Asian art. >> 更多
Artist profiles, 2015.06.29 Monday, 文 /

(English) Leon Leong – Optimistic Melancholics – Richard Koh Fine Art

(English) Richard Koh Fine Art (RKFA) is pleased to present Optimistic Melancholics, Leon Leong’s first solo exhibition at 2F-3, Level 2, Bangsar Village II, Jalan Telawi 1, Bangsar Baru, 59100 Kuala Lumpur, Malaysia from 1 to 14 July, 2015. >> 更多
访谈, 2015.03.12 Thursday, 文 /

香港巴塞尔艺术展:马克·斯皮格勒和黄雅君

近日,《燃点》就巴塞尔艺术展的发展战略与未来规划等问题对巴塞尔艺术展总监马克·斯皮格勒(Marc Spiegler)和黄雅君进行了专访..... >> 更多
访谈, 2014.05.30 Friday, 文 /
访谈, 2014.01.10 Friday, 文 /

我们是——并将成为——亚洲: 艺术登陆新加坡博览会2014预告

下周,艺术登陆新加坡博览会打着“我们是亚洲”的口号,将举办第四届年度博览会。博览会的一周时间将会再次充满丰富多彩的活动...... >> 更多
访谈, 2014.01.07 Tuesday, 文 /

越域:南亚及东南亚当代艺术展
—拿新瓶装老酒,再谈身份政治

展览继纽约上东区的首展之后巡回来到香港,并对参展作品有所延展。但即便如此,展览标题本身仍招至诟病。如今,中型机构还是更偏好类似于“中华五千年”及按照国家划分的研究型展览;然而,从文化分析的角度看来,取“越域”这样的标题仍嫌宽泛...... >> 更多

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