randian | 燃点

得到这么一个奖项对于艺术家而言，更多地指向了一个问题，那就是他在上海的成功对于当时的中国艺术圈意味着什么——换句话说，香港在与此相关的这一体系中扮演着什么样的角色。而在香港工作的艺术家们曾经一度热衷于声称自己的作品在尺幅和技艺方面是故意往小了做，因为这样可以颠覆或者区分于北京的那种批量生产的创作模式...... >> 更多

现年55岁的艾未未是艺术家、作家、电影制作人，也是评论家。近年来，由于参与了一系列艺术与社会性活动引起了国内外媒体的广泛关注。今年，他将与Romuald Karmakar、 Santu Mofokeng和Dayanita Singh一起代表德国参加第55届威尼斯双年展。燃点编辑爱安啊在草场地的艾未未工作室对其进行了采访。 >> 更多

(English) Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> 更多

(English) Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> 更多

对不起，此内容只适用于English。 >> 更多

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多

(English) Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多