randian | 燃点

(English) Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> 更多

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多

(English) Simon Lee Gallery, Hong Kong, is pleased to present a group exhibition featuring the works of Holly Coulis, >> 更多

(English) Simon Lee Gallery, Hong Kong, is pleased to present a group exhibition featuring the works of Holly Coulis, >> 更多

这是瑞安·甘德（Ryan Gander）继2017年在收藏家周大为的Cc基金会成功举办个展“人类/非人类/破损/非破损”之后第二次在中国举办个展。 >> 更多

仪式是心理精神的稳定器，是超越生命的内在节拍器，是存在于其自身转变之中的一种变革。在这个过程里，你弹性地来回于不同的场景之间，哪怕这种弹性十分微小。当你栖身于某一仪式里，你便会通过一道间隔和缝合奇特的切口而存在于时间的进程之中。 >> 更多

值2019德国画廊周之际，施博尔画廊很高兴呈现瑞安·甘德于本画廊举办的第二次个展。 >> 更多

2019年3月23日到5月26日，上海外滩美术馆将很荣幸地举办世界知名的德国艺术家托比亚斯·雷贝格 >> 更多

2019年3月23日到5月26日，上海外滩美术馆将很荣幸地举办世界知名的德国艺术家托比亚斯·雷贝格（Tobias Rehberger）在中国的首次机构个展 >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多