randian | 燃点

保罗·卡斯明画廊悲痛地获知，艺术家罗伯特·印第安纳于上周六在美国韦纳尔黑文的家中过世。保罗·卡斯明这样评价这位艺术家：“罗伯特·印第安纳将以他留给世人的伟大遗产继续活在我们心中。他和我见过的其他人不同，是一位天才。” >> 更多

(English) David Zwirner is pleased to present an exhibition of new photographs by Stan Douglas—the artist’s fourteenth solo exhibition with the gallery—at 525 West 19th Street in New York. >> 更多

“德国8（Deutschland 8）”是一个散布在北京七处场馆的展览项目，据主办方说，展览全面地呈现了从1945年至今德国艺术的整体发展。但是，这指的是哪个德国？ >> 更多

以东北亚地区艺术家为主打的年度展览“亚洲回廊现代美术展（Asia Corridor）”大概应该能够深入探讨一些关乎该地区的，相当有趣且甚少被人提及的话题。 >> 更多

(English) “Things are not, in fact, bad,” seemed to be the sentiment of Lorenzo Rudolf, the founder and president of Art Stage, back at Art Stage Singapore back in January this year, striking a pre-emptively defensive and reassuring note. >> 更多

(English) Victoria Miro is delighted to announce an exhibition of new work by Idris Khan. >> 更多

(English) The 35th edition of Art Brussels took place from 21 – 23 April and presented 145 galleries from 28 different countries. This is the second time the fair is located at Tour & Taxis, a vast former customs warehouse in the northern part of Brussels that was built at the turn of the 20th century when Belgium was rich off the back of its colonial exploitation of central Africa. >> 更多

(English) Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> 更多

(English) Sometime in 1912, Braque, the Cubist pioneer, walked into a wallpaper shop. >> 更多

作为日本重要的当代艺术家之一，宫岛达男凭借其深度诱人的且为科技驱动的装置、雕塑和录像作品，以及他的三个原则“不断变化、连接万物和持续永恒”而广为人知。 >> 更多