randian | 燃点

(English) "Fragments of Empires" is an exhibition of contemporary art that addresses issues of memory, identity and the impact of migration through three different time-based media: sound, film and photography. >> 更多

(English) "Fragments of Empires" is an exhibition of contemporary art that addresses issues of memory, identity and the impact of migration through three different time-based media: sound, film and photography. Throughout the exhibition ‘fragments of empires’ are revealed through the notion of ‘object memories’ as artists examine how objects, and associations related to them, have been transferred and re-imprinted through historical processes of colonisation and migration, moving in this way from one culture to another. >> 更多

首届基辅双年展（《诸时代中最好，诸时代中最糟》）将于明天开幕。参展艺术家名单包括13名中国艺术家。基辅双年展艺术总监大卫•埃利奥特接受《燃点》采访，他与我们谈论起此次基辅双年展及其中国元素。 >> 更多

上海 民生美术馆。 2011年3月20日至5月3日。 刘韡个展《三部曲》在上海民生美术馆之二 — 阅读本篇评论 […] >> 更多

对不起，此内容只适用于English。 >> 更多

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

对不起，此内容只适用于English。 >> 更多