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2020.05.09 Saturday, 文 /

吳季璁於越南西貢成立新工作室

(English) Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> 更多
访谈, 2020.03.16 Monday, 文 /

(English) Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多
访谈, 2020.03.16 Monday, 文 /

陈天灼 “后台男孩”

陈天灼以行为艺术最为出名,自称为“后台男孩”,他从观者的角度审视自己的艺术,并“消失在自己的作品中”。 >> 更多
访谈, 2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
访谈, 2020.02.24 Monday, 文 /

佛系青年:冷漠与共

我们很难体会到“佛系青年”的力量指向哪里,如果非要指出一个去向的话,只要存在被现实压抑的个体以及无所适从的表达,这种弱抵抗的方式就会再次出现。 >> 更多
访谈, 2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多
访谈, 2020.01.13 Monday, 文 /

(English) Natee Utarit & Nadiah Bamadhaj
Richard Koh Fine Art, Singapore

(English) To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> 更多
访谈, 2019.12.19 Thursday, 文 /

(English) MAI-THU PERRET
News From Nowhere
Simon Lee Gallery, Hong Kong

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多
访谈, 2019.12.18 Wednesday, 文 /

Zelin Seah 太空太滿

(English) Richard Koh Fine Art (RKFA-KL) is pleased to announce Malaysian artist Zelin Seah’s (b.1980) solo exhibition in Malaysia. Too Much, Too Empty >> 更多
访谈, 2019.12.09 Monday, 文 /

刘广云个展《Liu Guangyun》在德国科隆Thomas Rehbein 画廊展出。

(English) In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> 更多

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