randian | 燃点

(English) Preparations for the European Biennial of Contemporary Art enter their Final Phase... >> 更多

(English) Acentered: Reterritorised Network of European and Chinese Moving Image during Art Basel Hong Kong. Presented by the Art Basel Crowdfunding Initiative, Acentered is part of the Crowdfunding Lab and curated by Videotage. >> 更多

本文仅限英文阅读 >> 更多

(English) Raimund Girke’s medium was white: as erasure, as layer, as edge, as foreground, background, gesture, fog, lens and matter...whiteness is not simply a counterpoint of contrast and scale, but the elemental background...
>> 更多

(English) Edel Assanti is pleased to present Yoshinori Niwa’s first London solo exhibition, Historically Historic Historical History of Communism. >> 更多

(English) Randian is pleased to share an essay by leading Nam June Paik scholar, John G. Hanhardt, commissioned by Gagosian Gallery for the exhibition catalogue. >> 更多

(English) Since the 70s, Berlin has attracted some of the most avant-garde musicians from around the globe, with a strong upsurge of experimental music in the 90s set within the rich atmosphere of possibility that marked the years following the fall of the Berlin Wall. Today, Berlin’s sound-scene continues to take a leading role on the international stage. >> 更多

(English) "Fragments of Empires" is an exhibition of contemporary art that addresses issues of memory, identity and the impact of migration through three different time-based media: sound, film and photography. Throughout the exhibition ‘fragments of empires’ are revealed through the notion of ‘object memories’ as artists examine how objects, and associations related to them, have been transferred and re-imprinted through historical processes of colonisation and migration, moving in this way from one culture to another. >> 更多

(English) This recent episode in the public debate about arts and cultural policy demonstrates how tightly bound absurdity is with questions about what constitutes meaning and meaninglessness, as well as the related issue of what the value of art is today. Clearly, there is a need to grasp and articulate why and how such "absurd" art may be significant... >> 更多

著名德国艺术家，“零族”创立人奥托·皮纳，在德意志银行美术馆和柏林新国家美术馆同时举办的个展开幕式后，在回家的出租车中又返回了人生的“零”点，享年86岁。
 
 
>> 更多