randian | 燃点

又一届三影堂摄影季在一个柳絮飘飞的周末开幕了， 三五成群的观众忙乱奔波于太多正在上演当代摄影的画廊机构。整体看来，作品质量实不如往届，且不经意间笔者察觉到组织方并未提前探访所有展览；加之许多画廊在本应繁忙的周日让拿着导览图的访客们吃了通闭门羹。 >> 更多

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

对不起，此内容只适用于English。 >> 更多

已过九旬的亚历克斯·卡茨（Alex Katz）以其清晰分明的视觉和绘画风格闻名于世。我们通过电话与卡茨聊了聊他的影响、最近的展览以及他所有作品中最重要的一位模特——他的妻子和长达60年的灵感缪斯，艾达（Ada）。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多

我简单写下我对本次台北艺术博览会的印象： “它既非常年轻，有着少年的不安感和乐观主义精神，也已苍老，透着饱经世故之后和人之老矣的一丝懈怠。 >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

(English) Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> 更多