>>
搜索 >>
EN
>>
<<
>> randian 《燃点》艺术网站  >> 关注+燃点  >>

SEARCH AGAIN

CATEGORY
 
日期
  从:
  至:
  日期格式: 1/30/2012
关键字
 
  >> Search
2017.11.20 Monday, 文 /

(English) GREGORY HODGE
Signs
KAREN BLACK
An Ordinary Poetry
sullivan + strumpf, Singapore

(English) In this new body of work I have begun to incorporate new painted surfaces that resemble textiles, >> 更多
2017.11.20 Monday, 文 /

(English) KAREN BLACK
An Ordinary Poetry
sullivan + strumpf

(English) An Ordinary Poetry explores and celebrates the ordinariness of everyday life. >> 更多
2017.10.14 Saturday, 文 /

(English) Sullivan + Strumpf, Sydney

对不起,此内容只适用于English。 >> 更多
2017.10.11 Wednesday, 文 /

(English) Ramesh Mario Nithiyendran
Sullivan+Strumpf, Sydney

(English) Monumental. Immersive. Phallic. Over the past three years Ramesh Nithiyendran’s work has become synonymous with these encompassing descriptors. >> 更多
2017.10.11 Wednesday, 文 /

(English) As a Surface Becomes a Space
Matthew Allen
Sullivan+Strumpf Singapore

(English) In the 1970s, American artist Michelle Stuart took paper into the landscape, where she massaged soil and graphite into its surface, tracing over the uneven ground to catch its shadow. >> 更多
2017.09.02 Saturday, 文 /

(English) RICHARD LEWER
“Life, Love and Death”
Sullivan+Strumpf, Singapore

(English) Sullivan+Strumpf Singapore is pleased to present a major new body of work by Richard Lewer. >> 更多
2017.05.03 Wednesday, 文 /

(English) “That Was Then, This is Now”
Jeremy Sharma, Irfan Hendrian, Faisal Habibi, Matthew Allen and Young Rim Lee
Sullivan+Strumpf Singapore

(English) THAT WAS THEN, THIS IS NOW addresses and explores notions of abstraction through works by five selected artists from the region in Sullivan+Strumpf Singapore's 2017 group exhibition which opens on 13 May. >> 更多
2017.02.26 Sunday, 文 /
2017.02.22 Wednesday, 文 /
2016.10.26 Wednesday, 文 /

亚历克斯。西頓
《皮格马利翁》

(English) The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> 更多

« 上一页 下一页 »