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(English) Naama Tsabar employs performance, sculpture, and photography to subvert the gender roles historically associated with musicianship. >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

Schneemann was one of the most significant artists of the postwar period. Her work forever redefined our understanding of the body, desire, violence, sexuality, and gender, and remains of crucial importance for the study of feminist art histories. >> 更多

人在數字時代如何自處、共處？這正是陶輝（1987年生於重慶）在馬凌畫廊香港的首個個展「節奏與知覺」探討的核心命題。 >> 更多

对不起，此内容只适用于English。 >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多

現時無論是出於象徵性的行動還是政府政策，世界各地都重起對「文化遺產」涉及的範疇為何進行討論，不論是在印度、緬甸、美利堅邦聯，或種族隔離的南非，都共同關心著何以歸還被殖民者掠奪的工藝品、對歷史符號不同程度和方式的移除與重新命名，以及誰擁有話語權等；與此同時，中國的民族主義復甦亦開始將一種帝國傳承的敘述置入其二十一世紀形象的核心。 >> 更多

胶囊上海很荣幸地宣布举办艺术家王海洋的个展《王海洋》，展出他最新的实验性作品，展览从2018年11月3日持续至12月25日。 >> 更多

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(English) Sitting at a small table in the Lehmann Maupin booth at Art Basel Hong Kong, Chris Moore spoke with Rachel Lehmann about how she became involved with art, galleries and Hong Kong. >> 更多